數十年來，亞洲娛樂產業一直清楚地意識到男男愛情作品的市場潛力。大量的影視改編，讓原本屬於小眾的類型逐漸走入主流視野。
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正如杜耀豪所理解的，逃亡本身“从来都不保证成功”，且代价高昂，许多家庭根本无力承担一次尝试。对杜耀豪的家族来说，分批逃亡，让一部分人先走，正是无奈之下的策略。
But she told the BBC his departure was not "completely shocking" given the brand's recent struggle to remain relevant in a crowded console market and its decision to "move away from platform exclusives" with titles such as Halo.